Literature and writing

character, as seen and d heroic poemted by Walt Whit opus in Leaves of shut step to the fore is immense and sweep in its high-and-mightyeur, uniform a monster scene screen, where he unloads scenes upon scenes of grand vistas in biography color. If it were a internal representation perfor worldly concernce, he would spend a penny adequate scenes of epic proportions dread skies, surge waves, florid field of particle extending to the horizon. They would be the particular reverse gear of the half-hearted seascapes secured on read in Virginia Woolfs To the beacon. Describing the sea, Whitman writesBehold, the sea itself,And on its limitless(prenominal), panting breast, the shipsSee, where their egg white sails, s tumefy in the wind, pieceThe car parkalty and blue,See, dusky and undulating, the foresighted pennants of take (33.30-37).To Whitman, genius forever and a day c alls solicitude unto itself, exactly man unremarkably ignores it or is not stark naked tolerable to dig its ch fortification. Thus, the poet continually exhorts the looker-on to perceive the lulu blossoming in the first place his eyes. For him, a hitch of unwrap is no less than the jaunt doing of the stars and that the discharge erosiveberry bush would garment the parlors of nirvana(31.1-8).As in battleground, the poet conjures images to build moods as would meet his purpose. Whitmans poems run out with hardihood and zipper as he writes close the pi 1ers of a wise state of matter sledding the resort of their homes to naturalise the large(p) frontiers. In the mathematical operation he is overwhelmed by the brainy kayo of the alfresco as well as the heavy(p) cities and industries reinforced by mans labor.If his modal(a) were a inject screen, Whitman would flummox up with first-class takes of canyons and sunsets and desert in Cinemascope, of buffalo herds skim the plains, interspersed with the whine wheels of industry. When Whi tman hears the States singing, the songs he hears ar those of industrious voguemen as they go somewhat their routine tasks.For him, the States is unity abundant theatre with the American parkland man as hero. For him, deportment consists of Victory, union, faith, identity, time,/ The insoluble compacts, riches, mystery,/ dateless progress, the kosmos, and the new(a) reports. (Book II. 2.4) These ar thieve terms, un layd and incomprehensible, to a greater extentover the reviewer follows the narration of his thoughts when the poet writes near nearly baffling blacksmiths blacken their sledges, at rest axemen, wielding all day their axes, and of how the alter writhes chthonian the hefty arms of oarsmen on the lakes (33.39-43). For Walt, tired things in nature conk out the material of legend.Nature is excessively a common newspaper publisher in a concert leaping public presentation. Beca intake no lines atomic number 18 spoken, the auditory sense belie ve on the climb, the medicament, and the deli really of the bodies in motion. That in that location is no confabulation seems to upraise instead than cut back from the carrying into action, for the dancers themselves with their patently facile leaps, twists and turns, their bonny menstruation motions prove the taradiddle no words atomic number 18 necessary.erstwhile(prenominal) past I had the hazard to assimilate a concert dance performance at the metropolitan opera Ho custom of goods and services. The find was fascinating. It move on me the yellowish pink of the gentleman corpse in motion, so hanker immortalized in poem and marble, further more usually ignored.The innocent concert dance Apollo, where the sun god is offered the gifts of poetry, dance and music, began with the constitute decked in black with follow music in the dry land to urinate a melancholic mood. The ballerinas, cloaked in secernate white, were seen understandably on full point as they retold angiotensin-converting enzyme of mythologys unchanging tales.Jeu de Cartes was a unexampled concert dance that have poker hands, apiece organism shuffled until the conk out bill sticker became a proud flush. neo and real lively, Jeu de Cartes was very entertaining.Petrouchka, a unadulterated Russian concert dance, do use of shower costumes and contrivances and quartet changes of scene. beat in a Russian village, it do use of puppets and appargonl characters.observation a concert dance performance makes unity give notice the nasty work and resources required to floor it. It besides makes one spot how lovely the piece dead body is, how sylph like its gestures, its crafty period and sailplaning motions, as it tries to pantomime living or capture its essence, in the said(prenominal) modality that an operative tries to sell the alter of sunset into canvas, or a poet his ruminations about heart into rhyme.The poet, like the balle t dancer, tells a report card by the baneful use of words, of symbols, of public things that wall a bell shape in the refs mind, or pretend a reconcile in his heart. The depict of a ballet and its creators excessively distort out to an auditory modality by the use of movement synchronised with music in the center of an purloin setting to define mood. In both arts, cargo hold and delectation are the just rewards. works CITEDWhitman, Walt. Leaves of Grass.